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BENRIDO Inc.
| Address | 302 Benzaiten cho Nakagyo-ku Kyoto, JAPAN ZIP:604-0093 |
|---|---|
| Representative Name | Takumi Suzuki |
| Annual Revenue | closed |
| No. of Employees | closed |
| Web Site URL | |
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SD item code:9961555
| Detail | Price & Quantity | ||
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| S1 |
Reduced folding screen, Fuji in the clouds
 Original text before translation
縮小屏風 雲中富士図屏風
(2405002020540)
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(2405002020540)
Wholesale Price: Members Only
5 pcs /set
In Stock
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| Dimensions |
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Size
Each 22.0 x 48.5 cm |
| Specifications |
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Country of manufacture: Japan
Material / component: Specifications
6 pieces, 1 pair, folding screen, Japanese/English explanatory booklet, in a cosmetic box Printing Method Offset color Package: Individual box
Product tag: None
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Description
| *Scaled folding screen Yokoyama Taikan [Fuji in the clouds Yokoyama Taikan, Taisho era, ca. 1913 (Lent by Tokyo National Museum) This work is one of the most decorative Fuji paintings by Yokoyama Taikan (1868-1958). It is a simple composition with a bird's-eye view of the summit of Fuji in a sea of white clouds spreading over a rich gold ground. Fuji in summer. The bright and generous atmosphere of this painting demonstrates the rich sense of color and grand compositional style that characterize Taikan's works, including his folding screen paintings. During his lifetime, Taikan painted numerous works on the theme of Mt. This work, produced around 1913, is one of them. Fuji from the top of Tateyama, and other similar paintings similar to this one depicting Fuji peeking over a sea of clouds are known as "Gunsei-Fuji" (ca. 1917-18, Shizuoka Prefectural Museum of Art) and "Asayo Reiho" (1927, Imperial Household Agency, San-nomaru Shozokan Collection). Fuji (circa 1917-18, Shizuoka Prefectural Museum of Art) and Choyo Reiho (1927, Imperial Household Agency, San-no-Maru Shozokan). Yokoyama Taikan Born in Mito, Ibaraki Prefecture, between 1868 and 1958. Studied under Tenshin Okakura. [Yokoyama Taikan was a central figure in the Nippon Bijutsu-in (Japan Art Institute), where he worked on innovations in Japanese painting, including the creation of new techniques such as the "fuzzy body" method. He pursued the "art of imagination" that boldly utilized classical expressions such as Yamato-e and Rimpa school. His representative works include "Yozakura (Cherry Blossoms in the Evening)" and "Ikiryu-ryu-ten. |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From Dec.24th to Feb.25th |
| Air Mail | From Dec.6th to Dec.10th |
| EMS | From Dec.5th to Dec.10th |
| Pantos Express | From Dec.9th to Dec.12th |
| DHL | From Dec.5th to Dec.9th |
| UPS | From Dec.5th to Dec.9th |
| FedEx | From Dec.5th to Dec.9th |
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Some trading conditions may be applicable only in Japan.
*We have revised our prices effective February 1, 2023 due to the rising cost of raw materials and other factors.
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posterOther items from this category:
Yokoyama Taikan, Taisho era, ca. 1913 (Lent by Tokyo National Museum)
This work is one of the most decorative Fuji paintings by Yokoyama Taikan (1868-1958). It is a simple composition with a bird's-eye view of the summit of Fuji in a sea of white clouds spreading over a rich gold ground. Fuji in summer. The bright and generous atmosphere of this painting demonstrates the rich sense of color and grand compositional style that characterize Taikan's works, including his folding screen paintings. During his lifetime, Taikan painted numerous works on the theme of Mt. This work, produced around 1913, is one of them. Fuji from the top of Tateyama, and other similar paintings similar to this one depicting Fuji peeking over a sea of clouds are known as "Gunsei-Fuji" (ca. 1917-18, Shizuoka Prefectural Museum of Art) and "Asayo Reiho" (1927, Imperial Household Agency, San-nomaru Shozokan Collection). Fuji (circa 1917-18, Shizuoka Prefectural Museum of Art) and Choyo Reiho (1927, Imperial Household Agency, San-no-Maru Shozokan).
Yokoyama Taikan
Born in Mito, Ibaraki Prefecture, between 1868 and 1958. Studied under Tenshin Okakura. [Yokoyama Taikan was a central figure in the Nippon Bijutsu-in (Japan Art Institute), where he worked on innovations in Japanese painting, including the creation of new techniques such as the "fuzzy body" method. He pursued the "art of imagination" that boldly utilized classical expressions such as Yamato-e and Rimpa school. His representative works include "Yozakura (Cherry Blossoms in the Evening)" and "Ikiryu-ryu-ten.
横山大観 大正2年（1913）頃 東京国立博物館蔵
濃厚な金地に大きく広がる白色の雲海のなかに、鮮烈な群青色で富士の山頂のみを俯瞰的にあらわした簡潔な構成のこの作品は、横山大観（1868−1958）が描いた富士のなかでも特に装飾的な性格の強い作品です。夏の富士を描き、明るくおおらかな雰囲気を持つ表現には、屏風絵をはじめとする大観の作品の特徴である豊かな色彩感覚と雄大な構図法がよく発揮されています。大観はその生涯にわたって富士山をテーマとした作品を数多く描いており、その数は1500点にも及ぶといわれています。大正2年（1913）頃制作のこの作品もその中のひとつです。立山の頂上から富士を眺めることを特に好んだという大観ですが、雲海の上に頂を覗かせた富士を描く本作品に類似した構図の屏風絵は、ほかにも「群青富士」（1917−18頃、静岡県立美術館蔵）や、「朝陽霊峰」（1927、宮内庁三の丸尚藏館蔵）が知られています。
横山大観（よこやま たいかん）
明治〜昭和33年（1868〜1958）、茨城県水戸生まれ。岡倉天心に学ぶ。「朦朧体」など新しい技法を生み出すなど日本画の革新に努め、日本美術院の中心として活動。大和絵や琳派など古典の表現を大胆に生かす「想の芸術」を追求した。代表作は『夜桜』『生々流転』。