Vendor Profile
Shoeisha Co., Ltd.
| Address | 5 Funamachi Shinjuku-ku Tokyo, JAPAN ZIP:160-0006 |
|---|---|
| Representative Name | Mikio Sasaki |
| Annual Revenue | closed |
| No. of Employees | 130 |
| Web Site URL |
Other items from this category
SD item code:13055997
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
Edited by
Huang Qinghui and Li Jianfei Original text
Translated by Yuka Inzan
 Original text before translation
纹藏 編集
黄 清穗、李 健菲 原著
陰山 有加 翻訳
(185770)
JAN:9784798185774
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(185770)
JAN:9784798185774
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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Format:B5
Number of pages:296 |
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Country of manufacture: Japan
Material / component: Format:Book (paper)
Year of manufacture: 2025
Product tag: None
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Description
| A variety of patterns depicted in the magnificent Palace Museum (Forbidden City) that showcase traditional Chinese culture and aesthetics. All 117 patterns are illustrated with color samples with CMYK values! Dragon and phoenix motifs from the Spring and Autumn and Warring States Periods dancing on the ceiling, Wei, Jin, and Southern and Northern Dynasties Periods' weeping arabesques framing the imperial palace's Washi paintings, Tang and Song Periods' xiangfeng patterns on the queen's ceremonial dress, Qing Period egrets fluttering above a white porcelain bowl covered with red glaze, yellow lapis lazuli tiles, red walls, and magnificent diao langs. The 600-year-old NPM is the culmination of 5,000 years of Chinese culture. The Palace Museum, with its 600 years of history, is the culmination of 5,000 years of Chinese culture. The gorgeous architecture, costumes, exquisite furnishings, and porcelain have all been decorated in various forms. The aesthetics and philosophies of our predecessors are reflected in the myriad of patterns created by poetically depicting the seasonal scenes and by the devotion to good fortune. This book reproduces such traditional patterns and motifs that symbolize Chinese culture with detailed and beautiful digital illustrations. While introducing the intention behind the colors, the book reveals the origin and allegory of each pattern, and explores the aesthetic sense that underlies Chinese culture. The patterns, which are based on designs of all things in the forest and myths and legends, will give visitors a sense of the origin of the aesthetics of Eastern civilization, its rich stories, and the skills of its artisans. This book is useful as a resource for Chinese illustration, design, painting, fashion, interior design, storytelling, and other China-related creations. *Selected 117 species from five genres: dyeing and weaving, porcelain, carpets, enamelware, and architecture. *Color samples with CMYK values are provided for all 117 patterns. *Enjoy a variety of motifs such as mythological and legendary animals and plants. *Composition and color scheme ideas for complex patterns [About the Author] *Huang Qinghui is the founder of the Monjang Chinese Pattern Database. Currently teaches at the Guangxi Academy of Arts and writes the Monzo column in the Ethnic Arts section. [He has published 10 books on patterns, including "NPM Patterns", "Illustrated Book of Chinese Scripture Patterns", "The Beauty of Chinese Patterns", and "Illustrated Book of Chinese Delightful Patterns", and has been a lecturer in many training projects for inheritors of Chinese intangible heritage and national art fund projects. *Li Jianfei: Engaged in work related to Chinese patterns. *Monjiao:An online museum of patterns launched by Huang Qinghui in 2019. [He has created a database of 500 themes based on five approaches: history, region, ethnicity, medium, and motifs, and has analyzed and designed more than 30,000 pieces of pattern information and patterns to discover, organize, and decipher the Chinese pattern system. The database is being used to discover, organize, and decipher the Chinese design system. [Translators] Yuka Kageyama Graduated from Musashino Art University, Department of Crafts and Industrial Design. She worked for a Japanese educational institution and a Taiwanese translation company in Beijing and Shanghai, and after returning to Japan, she started her own business as a freelance translator. She is currently involved in a wide range of genres of translation, including industrial translation, publishing, video, manga, and games. |
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| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From Mar.6th to May.8th |
| Air Mail | From Feb.18th to Feb.20th |
| EMS | From Feb.17th to Feb.20th |
| Pantos Express | From Feb.19th to Feb.24th |
| DHL | From Feb.17th to Feb.19th |
| UPS | From Feb.17th to Feb.19th |
| FedEx | From Feb.17th to Feb.19th |
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This product (book) is subject to the Resale Price Maintenance Program. The law allows the manufacturer (publisher) to specify the sales price. We ask that your company also adhere to the resale price specified by us. In the unlikely event that you fail to do so, we may terminate the transaction. Thank you very much for your understanding and cooperation.
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Other items from this category:
All 117 patterns are illustrated with color samples with CMYK values!
Dragon and phoenix motifs from the Spring and Autumn and Warring States Periods dancing on the ceiling, Wei, Jin, and Southern and Northern Dynasties Periods' weeping arabesques framing the imperial palace's Washi paintings, Tang and Song Periods' xiangfeng patterns on the queen's ceremonial dress, Qing Period egrets fluttering above a white porcelain bowl covered with red glaze, yellow lapis lazuli tiles, red walls, and magnificent diao langs. The 600-year-old NPM is the culmination of 5,000 years of Chinese culture.
The Palace Museum, with its 600 years of history, is the culmination of 5,000 years of Chinese culture. The gorgeous architecture, costumes, exquisite furnishings, and porcelain have all been decorated in various forms. The aesthetics and philosophies of our predecessors are reflected in the myriad of patterns created by poetically depicting the seasonal scenes and by the devotion to good fortune.
This book reproduces such traditional patterns and motifs that symbolize Chinese culture with detailed and beautiful digital illustrations. While introducing the intention behind the colors, the book reveals the origin and allegory of each pattern, and explores the aesthetic sense that underlies Chinese culture. The patterns, which are based on designs of all things in the forest and myths and legends, will give visitors a sense of the origin of the aesthetics of Eastern civilization, its rich stories, and the skills of its artisans.
This book is useful as a resource for Chinese illustration, design, painting, fashion, interior design, storytelling, and other China-related creations.
*Selected 117 species from five genres: dyeing and weaving, porcelain, carpets, enamelware, and architecture.
*Color samples with CMYK values are provided for all 117 patterns.
*Enjoy a variety of motifs such as mythological and legendary animals and plants.
*Composition and color scheme ideas for complex patterns
[About the Author]
*Huang Qinghui is the founder of the Monjang Chinese Pattern Database. Currently teaches at the Guangxi Academy of Arts and writes the Monzo column in the Ethnic Arts section. [He has published 10 books on patterns, including "NPM Patterns", "Illustrated Book of Chinese Scripture Patterns", "The Beauty of Chinese Patterns", and "Illustrated Book of Chinese Delightful Patterns", and has been a lecturer in many training projects for inheritors of Chinese intangible heritage and national art fund projects.
*Li Jianfei: Engaged in work related to Chinese patterns.
*Monjiao:An online museum of patterns launched by Huang Qinghui in 2019. [He has created a database of 500 themes based on five approaches: history, region, ethnicity, medium, and motifs, and has analyzed and designed more than 30,000 pieces of pattern information and patterns to discover, organize, and decipher the Chinese pattern system. The database is being used to discover, organize, and decipher the Chinese design system.
[Translators]
Yuka Kageyama
Graduated from Musashino Art University, Department of Crafts and Industrial Design. She worked for a Japanese educational institution and a Taiwanese translation company in Beijing and Shanghai, and after returning to Japan, she started her own business as a freelance translator. She is currently involved in a wide range of genres of translation, including industrial translation, publishing, video, manga, and games.