Vendor Profile
GYOKUYU Co.,Ltd
| Address | Ono Otu 2498 Arita-cho Nishimatsuura-gun Saga, JAPAN ZIP:844-0013 |
|---|---|
| Representative Name | Masahiro Ota |
| Annual Revenue | closed |
| No. of Employees | closed |
| Web Site URL | |
| SNS |
People Also Searched
Other items from this category
SD item code:13039100
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
1 plate
 Original text before translation
皿1枚
(09559)
JAN:4514882095598
|
(09559)
JAN:4514882095598
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| Dimensions |
|---|
|
Φ27.2 x h2cm
|
| Specifications |
|---|
|
Country of manufacture: Japan
Material / component: porcelain
Package: Individual box
Product tag: None
|
Description
| All of the vessels are hand-painted by Sezada Pottery in Okawauchiyama, Imari City, Saga Prefecture. About 300 years ago, Katsushige Nabeshima, the first lord of the Hizen Saga Domain*, opened an official kiln under the direct jurisdiction of the shogunate in 1628 in Arita Iwayachi to produce gifts for the shogunate and feudal lords, and to foster and control the pottery industry. This was the beginning of the Nabeshima Clan's kilns. In order to prevent the technology from being leaked, the kiln was moved to the present Okawachiyama (Imari City), a remote place, and a barrier was set up at the entrance and exit to prohibit the passage of unauthorized people, thus protecting the secrecy of the domain kilns. The kiln was moved to the present Okawachiyama (Imari City), a remote place, and a barrier was set up at the entrance to protect the secret methods of the feudal domain kilns. As a result, numerous masterpieces were produced, including the finest and most exquisite colored Nabeshima wares. These are generally referred to as Nabeshima, and they created the unique art of Hizen ceramics. The Meiji Restoration brought an end to the 200-year history of the Nabeshima domain kilns, but the venerable kilns that have been in existence since that time continue to produce pieces that incorporate modern sensibilities while continuing the proud traditions of the past. This is a series of dishes that fully demonstrate the skills of the master craftsmen that have been passed down from generation to generation. |
More
| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From Mar.6th to May.8th |
| Air Mail | From Feb.18th to Feb.20th |
| EMS | From Feb.17th to Feb.20th |
| Pantos Express | From Feb.19th to Feb.24th |
| DHL | From Feb.17th to Feb.19th |
| UPS | From Feb.17th to Feb.19th |
| FedEx | From Feb.17th to Feb.19th |
|
Some trading conditions may be applicable only in Japan.
[Dishwasher, microwave]
Only porcelain products with underglaze painting can be used in microwave ovens and dishwashers. This is because some of the metal components in overglaze painted products may react with microwaves from microwave ovens and alkaline detergents from dishwashers. Also, the high water pressure of the dishwasher may cause the dishes to come in contact with each other, which may damage ceramics, which are less strong than porcelain. [About matte glazes] The matte glaze may leave marks from knives, forks, etc. (metal marks). In such cases, a pencil eraser or a commercially available metal mark remover may be able to remove the marks. Please feel free to contact us if you have any questions about specific characteristics. [Handling of earthenware] Some earthenware vessels absorb water. Soaking them in water for a long time may cause them to absorb water, resulting in odor or discoloration. Please soak the bowl lightly in water before use, wash it as soon as possible after use, and dry it well before storing it for a longer period of time. [Food Sanitation Law] The standards based on the law are in accordance with the Japanese Food Sanitation Law and international ISO standards. If you are in a country or region with laws that exceed these standards, please purchase at your own risk. [The image is different from the picture.] Since ceramics are molded and fired from natural materials, there may be differences in coloration, iron powder, pinholes, uneven glaze, etc. between the image and the actual product. After inspection by our company's standards, any differences that do not cause any problems in appearance or use are considered good quality. However, since the inspection is done by human eyes, there is a case that it is missed in rare cases. If you think the item is defective, please feel free to contact us. Please feel free to contact us if you think it is defective. [If you have any questions, please feel free to contact us.] We value the relationship of trust with our customers. If you are a corporation that already has business with one of our existing clients, we may ask you to suspend the transaction if there is a problem that may cause inconvenience to our existing clients. We apologize in advance for any inconvenience this may cause. |
Other items from this category:
About 300 years ago, Katsushige Nabeshima, the first lord of the Hizen Saga Domain*, opened an official kiln under the direct jurisdiction of the shogunate in 1628 in Arita Iwayachi to produce gifts for the shogunate and feudal lords, and to foster and control the pottery industry. This was the beginning of the Nabeshima Clan's kilns.
In order to prevent the technology from being leaked, the kiln was moved to the present Okawachiyama (Imari City), a remote place, and a barrier was set up at the entrance and exit to prohibit the passage of unauthorized people, thus protecting the secrecy of the domain kilns. The kiln was moved to the present Okawachiyama (Imari City), a remote place, and a barrier was set up at the entrance to protect the secret methods of the feudal domain kilns.
As a result, numerous masterpieces were produced, including the finest and most exquisite colored Nabeshima wares.
These are generally referred to as Nabeshima, and they created the unique art of Hizen ceramics.
The Meiji Restoration brought an end to the 200-year history of the Nabeshima domain kilns, but the venerable kilns that have been in existence since that time continue to produce pieces that incorporate modern sensibilities while continuing the proud traditions of the past.
This is a series of dishes that fully demonstrate the skills of the master craftsmen that have been passed down from generation to generation.
今から約三百年前、肥前佐賀藩の初代藩主・鍋島勝茂は、将軍家への献上品や大名への贈答品制作するため、また陶業育成並びに生産を統制する目的で、寛永五年（1628年）版直属の御用窯を、有田岩谷内に開きました。これが鍋島藩窯の始まりです。
その後、その技術の漏洩を防ぐため、人里離れた現在の大川内山（伊万里市）に窯を移し、出入り口に関所を設け関係者以外の通行を禁止し藩窯の秘法を護りました。原料は藩の全力を挙げて厳選したものを用い、一方、優秀な技術者を選抜して保護・優遇し、採算を度外視して生産を行いました。
そのため、最高級の精巧極まる色鍋島を始め数々の名器が造り出されました。
これが一般に鍋島（なべしま）といわれ、肥前陶器独創の芸術を造り出しました。
明治維新の廃藩置県によって、この鍋島藩窯も二百年の歴史に幕を閉じましたが、当時より続く由緒ある窯元は、従来の誇りある伝統を受け継ぎ、これに現代の感覚を織り込んだ作品の生産を続けています。
受け継がれてきた名工の技を存分に振るった器のシリーズになります。