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Vendor Profile
Shoeisha Co., Ltd.
Address | 5 Funamachi Shinjuku-ku Tokyo, JAPAN ZIP:160-0006 |
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Representative Name | Mikio Sasaki |
Annual Revenue | closed |
No. of Employees | 130 |
Web Site URL |
SD item code:12600023
Detail | Price & Quantity | ||
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S1 |
Masuoka (Author)
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増岡 (著)
(176770)
JAN:9784798176772
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(176770)
JAN:9784798176772
Wholesale Price: Members Only
1 pc /set
In Stock
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Dimensions |
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Format:B5
Number of pages:176 |
Specifications |
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Country of manufacture: Japan
Material / component: Format:Book (paper)
Year of manufacture: 2023
Product tag: None
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Description
Simple illustrations can be differentiated by the way they are painted! [Even if your illustration has no background, a standard composition, and a simple character design or motif, you can dramatically improve the quality of your illustration by using the "thick paint" technique. If you master the "thick paint" technique, you will be able to draw attractive illustrations with texture, temperature, and realistic atmosphere. *Examples of what you will learn in this book *Color characteristics (impressions and psychological effects of different colors) *Types and characteristics of light and shadow *How to think when deciding on lighting (lightness and darkness) *Rules for choosing colors that do not make the picture look clumsy. *Painting of male and female characters, and characteristics of their skeletons *How to paint each part of a character with nuance (hands, eyes, hair, etc.) *How to paint with texture (glass bottle, transparent liquid) *Recommended for [Painting with unique character designs and eccentric compositions is not your forte]. [Those who are not good at drawing unique character designs and eccentric compositions.] [I want to know the rules of painting male and female characters.] [I want to know how to express textures such as skin, hair, and metal motifs.] *Table of Contents (excerpt) Introduction Characteristics of Thick Paint Chapter 1 Basic Knowledge of Colors Chapter 2 Thick Paint of Simple Motifs Chapter 3 Thick Paint for Characters Chapter 4 Making an attractive character by [hand effect] Making a thick-painted illustration *Author Masuoka The theme of his creative activities is stagnation and struggle. He is good at depicting hands. He is conscious of using his hands and simple motifs to convey emotion and sentiment. Graduated from Kobe City University of Foreign Studies. He has been a part-time lecturer at Kyoto University of Art and Design's correspondence course in illustration, a CLASS101 digital illustration instructor, and a guest instructor (and visual illustrator) at WEGO After School Art Club's 4th SNS Art Contest. His work has been published in [ILLUSTRATION 2023] (published by Kosha). |
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Other items from this category:
[Even if your illustration has no background, a standard composition, and a simple character design or motif, you can dramatically improve the quality of your illustration by using the "thick paint" technique.
If you master the "thick paint" technique, you will be able to draw attractive illustrations with texture, temperature, and realistic atmosphere.
*Examples of what you will learn in this book
*Color characteristics (impressions and psychological effects of different colors)
*Types and characteristics of light and shadow
*How to think when deciding on lighting (lightness and darkness)
*Rules for choosing colors that do not make the picture look clumsy.
*Painting of male and female characters, and characteristics of their skeletons
*How to paint each part of a character with nuance (hands, eyes, hair, etc.)
*How to paint with texture (glass bottle, transparent liquid)
*Recommended for
[Painting with unique character designs and eccentric compositions is not your forte].
[Those who are not good at drawing unique character designs and eccentric compositions.]
[I want to know the rules of painting male and female characters.]
[I want to know how to express textures such as skin, hair, and metal motifs.]
*Table of Contents (excerpt)
Introduction Characteristics of Thick Paint
Chapter 1 Basic Knowledge of Colors
Chapter 2 Thick Paint of Simple Motifs
Chapter 3 Thick Paint for Characters
Chapter 4 Making an attractive character by [hand effect] Making a thick-painted illustration
*Author
Masuoka
The theme of his creative activities is stagnation and struggle. He is good at depicting hands. He is conscious of using his hands and simple motifs to convey emotion and sentiment. Graduated from Kobe City University of Foreign Studies. He has been a part-time lecturer at Kyoto University of Art and Design's correspondence course in illustration, a CLASS101 digital illustration instructor, and a guest instructor (and visual illustrator) at WEGO After School Art Club's 4th SNS Art Contest. His work has been published in [ILLUSTRATION 2023] (published by Kosha).