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SD item code:11352952
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
Junji Sugiyama (Supervisor)
 Original text before translation
杉山 純じ (監修)
(42773)
JAN:9784780427738
|
(42773)
JAN:9784780427738
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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Size: A5 (210mm x 148mm)
Number of pages: 144 Weight: 245g |
| Specifications |
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Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2023
Product tag: None
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Description
| * Useful for any role that creates a stage! * From rehearsal and preparation to the performance, the theatrical point of view. The quality of your performance will be more enhanced! * Effective daily training *Practice plans according to the period of time *Awareness and tips to shine in the performance * Comments from the supervisor * [What is the attraction of theater?] What do you say? [The ability to play a life different from your own]. [The sense of unity that comes from working together with your friends to create a piece of work]. [The power and realism of a live performance.] I am sure you will find a variety of answers. All of them are correct. My answer is as follows. [The diversity and tolerance of theater is its greatest attraction!] There is no one right answer, and there is freedom everywhere. But that freedom may sometimes cause you pain. But that freedom may sometimes make you suffer. What we thought was the right thing to do What we thought was the right thing to do was denied in the critique.... What we wanted to say was not conveyed well We may have hurt someone.... Before that, I don't know what I should do in the first place I don't know what to do in the first place.... At such times, we are at a loss as to what we should do. We may feel at a loss, or wonder if it is right for us to be involved in the theater. We may be at a loss and wonder if it is right for us to be involved in the theater. Please remember this: [If you stand on the stage and expose yourself, you will be able to see the world. [You are standing on the stage, exposing yourself, You are standing on the stage exposing yourself, or you are supporting a person as a staff member, That alone makes you great!] This is not a pretty word, It is the basic premise of theater. It is a theatrical process to find differences, to recognize them, and to talk about them, I think it is a theatrical work. Please enjoy our differences. In this book, we will discuss some of the many training methods and points to keep in mind, What kind of club environment (experience * physical ability * number of people * club expenses * hours of activity, etc.) club expenses * number of members * activity time, etc.) The book is intended to introduce the contents of the book. Even so, not all of the information in this book will be the best for all theater clubs. I have tried to convey my intentions at each point. I hope you will find what I am trying to convey at each point, I hope you will find what I am trying to convey in each point, discuss it among your members, and improve it to the best way for yourselves. and then we can improve it in the way that works best for us. I hope this book will help you I hope this book will help you to find your own way. Junji Sugiyama * Main Contents * *Chapter 1: Improve your basic skills! *Chapter 2 Performance practice *Chapter 3: Performance rehearsal *Chapter 4: Get ready for the performance! *Chapter 5: Let's take it to the next level! * This book was published in 2018. [This book is the 2018 edition of the "Theatre Improvement Bible". Theater: The Improvement Bible] and has been updated with new content and necessary information, and changed the title of the book. This is a new edition of the book. |
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Other items from this category:
* From rehearsal and preparation to the performance, the theatrical point of view.
The quality of your performance will be more enhanced!
* Effective daily training
*Practice plans according to the period of time
*Awareness and tips to shine in the performance
* Comments from the supervisor *
[What is the attraction of theater?]
What do you say?
[The ability to play a life different from your own].
[The sense of unity that comes from working together with your friends to create a piece of work].
[The power and realism of a live performance.]
I am sure you will find a variety of answers.
All of them are correct.
My answer is as follows.
[The diversity and tolerance of theater is its greatest attraction!]
There is no one right answer, and there is freedom everywhere.
But that freedom may sometimes cause you pain.
But that freedom may sometimes make you suffer.
What we thought was the right thing to do
What we thought was the right thing to do was denied in the critique....
What we wanted to say was not conveyed well
We may have hurt someone....
Before that, I don't know what I should do in the first place
I don't know what to do in the first place....
At such times, we are at a loss as to what we should do.
We may feel at a loss, or wonder if it is right for us to be involved in the theater.
We may be at a loss and wonder if it is right for us to be involved in the theater.
Please remember this: [If you stand on the stage and expose yourself, you will be able to see the world.
[You are standing on the stage, exposing yourself,
You are standing on the stage exposing yourself, or you are supporting a person as a staff member,
That alone makes you great!]
This is not a pretty word,
It is the basic premise of theater.
It is a theatrical process to find differences, to recognize them, and to talk about them,
I think it is a theatrical work.
Please enjoy our differences.
In this book, we will discuss some of the many training methods and points to keep in mind,
What kind of club environment (experience * physical ability * number of people * club expenses * hours of activity, etc.)
club expenses * number of members * activity time, etc.)
The book is intended to introduce the contents of the book.
Even so, not all of the information in this book will be the best for all theater clubs.
I have tried to convey my intentions at each point.
I hope you will find what I am trying to convey at each point,
I hope you will find what I am trying to convey in each point, discuss it among your members, and improve it to the best way for yourselves.
and then we can improve it in the way that works best for us.
I hope this book will help you
I hope this book will help you to find your own way.
Junji Sugiyama
* Main Contents *
*Chapter 1: Improve your basic skills! *Chapter 2 Performance practice
*Chapter 3: Performance rehearsal
*Chapter 4: Get ready for the performance!
*Chapter 5: Let's take it to the next level!
* This book was published in 2018.
[This book is the 2018 edition of the "Theatre Improvement Bible". Theater: The Improvement Bible]
and has been updated with new content and necessary information,
and changed the title of the book.
This is a new edition of the book.
★ 稽古、準備から本番まで、舞台的なポイントで
パフォーマンスの質がもっと高まる！
＊毎日の効果的なトレーニング
＊期間に応じた稽古プラン
＊本番で輝くための意識とコツ
◇◆◇ 監修者からのコメント ◇◆◇
「演劇の魅力って何ですか？」
と聞かれたら貴方はなんと答えるでしょうか？
「自分と違う人生を演じられる」
「仲間と協力して一つの作品を創り上げる一体感」
「ライブならではの迫力と臨場感」
様々挙がってくると思います。
そのどれもが正解です。
私の答えはこうです。
「演劇の多様性と寛容さこそが、最大の魅力だ！」
正解は一つではなく、どこまでも自由があります。
しかしその自由さが時に貴方を苦しめる事が
あるかもしれません。
自分達が正解だと思ってやっていた事が
講評で否定された...。
伝えたい事がうまく伝わらず誰かを
傷つけてしまった...。
それ以前にそもそも何をやればいいのか
よく分からない...。
そんな時に自分達の進むべき道が分からなくなって
途方に暮れたり、演劇に関わっていていいのだろうか
と悩む事があるかもしれません。
これだけは忘れないでください。
「貴方が自分自身をさらけ出して舞台の上に立っている、
あるいはスタッフとしてその人を支えている、
それだけで貴方は、偉い！」
これは綺麗事でもなんでもない、
演劇をやる上での大前提なんです。
違いを見付けて認め合い、話し合う事こそが、
演劇的作業と言えるのではないでしょうか。
どうか、人との違いを楽しんで下さい。
本書では数あるトレーニング方法や注意点の中から、
どのような部活環境（経験値・身体能力・人数・
部費・活動時間等）でも実践できる内容を中心に
ご紹介しています。
それでも本書に述べた内容が全ての演劇部にとって
ベストになる訳ではありません。
各ポイントで私が伝えたい意図を見つけ、
部員同士で話し合い、自分達にとってベストなやり方に
改良していく事もまた演劇的作業です。
本書が貴方なりの演劇と出会う
手助けになりますように。
杉山純じ
◇◆◇ 主な目次 ◇◆◇
☆1章 基礎の力をアップさせよう！
☆3章 上演稽古
☆4章 万全の状態で本番を迎えよう！
☆5章 もっとレベルアップしよう！
※ 本書は2018年発行の
『部活でスキルアップ！演劇 上達バイブル』
を元に、新しい内容の追加と必要な情報の確認・更新、
書名の変更を行い、「増補改訂版」として
新たに発行したものです。