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MATES universal contents Co.Ltd
Address | Kojimachi ichihara Bldg.4F 1-1-8 Hirakawacho Chiyoda-ku Tokyo, JAPAN ZIP:102-0093 |
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Representative Name | Koji Oba |
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Other items from this category
Handicrafts/Crafts Book
SD item code:9348623
Detail | Price & Quantity | ||
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S1 |
Kaori Mochinaga (Supervisor)
Original text before translation
持永 かおり (監修)
(42401)
JAN:9784780424010
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(42401)
JAN:9784780424010
Wholesale Price: Members Only
1 pc /set
In Stock
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Dimensions |
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Size: B5 (257mm x 182mm)
Number of pages: 128 Weight: 360g |
Specifications |
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Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2020
Product tag: None
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Description
* Based on traditional lacquer techniques, Reviving the beauty of your treasured vessels! * Careful attention is paid to even the smallest chip. Easy-to-understand explanations of key points. * Master the basics and applications in one book. Get the hang of it and arrange it as you like! * Comments from the supervisor * I am fascinated by the material "Lacquer", I am working with lacquer. I believe that kintsugi is [more than just mending broken vessels and finishing them in gold], I believe that kintsugi is not just mending broken vessels and finishing them in gold. I love broken vessels, I feel compassion for the person who broke the vessel, Various episodes related to the vessels are I think that the various episodes related to the vessel are engraved on the scar repaired with lacquer, it looks more beautiful than the unscratched, unbroken state. It looks more beautiful than if it were in its original state. I think this is the charm of Kintsugi. Lacquer has been a part of our lives since ancient times, The more we learn about it, the more we are amazed at its beauty, robustness, and versatility, The more one learns about lacquer, the more one is amazed at its beauty and durability, as well as its versatility. Repairing with lacquer is a time-consuming process, It is a time-consuming process, It is a time-consuming process, and you may be at a loss how to handle it at first. However, it is precisely because we live in an age where speed and convenience are important. But it is precisely because we live in an age when speed and convenience are more important than ever, We should be able to feel the seasons, temperatures, and humidity, and feel the seasons, temperatures, and humidity. and feel the richness of mending. And the time between people and vessels, which once stopped I hope you will feel the joy of the time between people and vessels I hope you will feel the joy of the time between people and vessels that has once stopped. [Kaori Mochinaga * Main contents * * PART1 Knowing the tools and materials used in kintsugi * Identifying the state of damage Selecting a repair method according to the damaged condition of the vessel * Preparation for repair Cleaning and preparation before repairing * Basic tools and materials Select tools and materials for repair * etc. * PART2 Mending small chips * Pottery chip 1: Oribe glazed small bowl Carefully mending small chips on the rim of the mouth * Chip 2: Outer Yakishime bowl Masking the unglazed bowl * etc. * PART3 Mending cracks * Cracks on porcelain White porcelain cup Place lacquer on the crack and let it soak in * Introduction to various cracks Repair cracks by feeling the beauty of accidental cracks * etc. * PART4 Mending cracks * Cracks in porcelain 1 Oribe glazed finecup After applying barley lacquer, let moisture in to adhere * Cracks in Porcelain 2: A rice bowl with a blue glaze Temporarily assemble the pieces and then glue them together with barley lacquer * etc. * PART5 Mending difficult breakage * Large chip on pottery Oribe glazed small bowl Forming large chips with strong carved ramie lacquer * Complicated cracks on ceramics White glazed mug Wrap hemp thread around the glued part of the handle to reinforce it * etc. *This book was published in 2017. [Kintsugi: Improve Your Mending Skills - Advanced Kintsugi Lessons]. This is a new edition of the book [Kintsugi: Improvement Lesson for Mending Techniques] published in 2017. |
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Other items from this category:
Reviving the beauty of your treasured vessels!
* Careful attention is paid to even the smallest chip.
Easy-to-understand explanations of key points.
* Master the basics and applications in one book.
Get the hang of it and arrange it as you like!
* Comments from the supervisor *
I am fascinated by the material "Lacquer",
I am working with lacquer.
I believe that kintsugi is [more than just mending broken vessels and finishing them in gold],
I believe that kintsugi is not just mending broken vessels and finishing them in gold.
I love broken vessels,
I feel compassion for the person who broke the vessel,
Various episodes related to the vessels are
I think that the various episodes related to the vessel are engraved on the scar repaired with lacquer,
it looks more beautiful than the unscratched, unbroken state.
It looks more beautiful than if it were in its original state.
I think this is the charm of Kintsugi.
Lacquer has been a part of our lives since ancient times,
The more we learn about it, the more we are amazed at its beauty, robustness, and versatility,
The more one learns about lacquer, the more one is amazed at its beauty and durability, as well as its versatility.
Repairing with lacquer is a time-consuming process,
It is a time-consuming process,
It is a time-consuming process, and you may be at a loss how to handle it at first.
However, it is precisely because we live in an age where speed and convenience are important.
But it is precisely because we live in an age when speed and convenience are more important than ever,
We should be able to feel the seasons, temperatures, and humidity,
and feel the seasons, temperatures, and humidity.
and feel the richness of mending.
And the time between people and vessels, which once stopped
I hope you will feel the joy of the time between people and vessels
I hope you will feel the joy of the time between people and vessels that has once stopped.
[Kaori Mochinaga
* Main contents *
* PART1
Knowing the tools and materials used in kintsugi
* Identifying the state of damage
Selecting a repair method according to the damaged condition of the vessel
* Preparation for repair
Cleaning and preparation before repairing
* Basic tools and materials
Select tools and materials for repair
* etc.
* PART2
Mending small chips
* Pottery chip 1: Oribe glazed small bowl
Carefully mending small chips on the rim of the mouth
* Chip 2: Outer Yakishime bowl
Masking the unglazed bowl
* etc.
* PART3
Mending cracks
* Cracks on porcelain White porcelain cup
Place lacquer on the crack and let it soak in
* Introduction to various cracks
Repair cracks by feeling the beauty of accidental cracks
* etc.
* PART4
Mending cracks
* Cracks in porcelain 1 Oribe glazed finecup
After applying barley lacquer, let moisture in to adhere
* Cracks in Porcelain 2: A rice bowl with a blue glaze
Temporarily assemble the pieces and then glue them together with barley lacquer
* etc.
* PART5
Mending difficult breakage
* Large chip on pottery Oribe glazed small bowl
Forming large chips with strong carved ramie lacquer
* Complicated cracks on ceramics White glazed mug
Wrap hemp thread around the glued part of the handle to reinforce it
* etc.
*This book was published in 2017.
[Kintsugi: Improve Your Mending Skills - Advanced Kintsugi Lessons].
This is a new edition of the book [Kintsugi: Improvement Lesson for Mending Techniques] published in 2017.
大切な器を美しくよみがえらせる!
★ 小さな欠けこそ丁寧に。
ポイントをわかりやすく解説。
★ 基本と応用を1冊でマスター。
コツをつかんで自在にアレンジ!
◆◇◆ 監修者からのコメント ◆◇◆
" 漆" という素材に魅了され、
私は仕事をしています。
金継ぎとは「ただ割れた器を繕い、
金色に仕上げることではない」と思っています。
割れてしまった器を愛おしむ気持ち、
器を割ってしまった人をいたわる思い、
その器にまつわる様々なエピソードが
漆で繕われた傷跡に刻まれていると思うと、
傷を知らないまっさらな状態よりも
美しく見えます。
それこそが金継ぎの魅力なのだと思います。
古来より私たちの生活に溶け込んでいた漆は、
知れば知るほどその美しさと堅牢さと、
万能な素材であることに驚くことと思います。
その「漆で繕う」ということは、
時間のかかる作業でもありますので、
初めはその扱いに戸惑うこともあるでしょう。
しかし、スピードや手軽さが重視される
この時代だからこそ、
季節や気温や湿度を感じながら、
ゆったりと器に向き合い
繕うことの豊かさを実感できると思います。
そして、一度止まってしまった器と人との時間が、
自分の手によって再び動き出す
喜びを感じていただければ幸いです。
「モノ継ぎ」持永 かおり
◆◇◆ 主な目次 ◆◇◆
☆ PART1
金継ぎで使う道具と材料を知る
* 破損状態の確認
器の破損状態に合わせた修繕方法を選ぶ
* 繕いの準備
修繕前にクリーニングと下処理をする
* 基本の道具・材料
繕いの道具と材料を選ぶ
・・・など
☆ PART2
小さな欠けを繕う
* 陶器の欠け1 織部釉小鉢
口縁の小さな欠けを丁寧に繕う
* 陶器の欠け2 外焼締ボウル
釉薬のかかっていない器はマスキングをする
・・・など
☆ PART3
ヒビを繕う
* 磁器のヒビ 白磁カップ
ヒビの上に漆を置いて染み込ませる
* いろいろなヒビ紹介
偶然に生まれたヒビの美しさを感じながら修繕する
・・・など
☆ PART4
割れを繕う
* 磁器の割れ1 織部釉フィンカップ
麦漆を塗ったら湿気を取り込んで接着する
* 磁器の割れ2 染付飯茶碗
破片を仮組みしてから麦漆で接着する
・・・など
☆ PART5
難易度の高い破損を繕う
* 陶器の大きな欠け 織部釉小鉢
強度の高い刻苧漆で大きな欠けを造形する
* 陶器の複雑な割れ 白釉マグカップ
取っ手の接着部分に麻糸を巻きつけて補強する
・・・など
※本書は2017 年発行の
『繕うワザを磨く金継ぎ 上達レッスン』
の新版です。