Vendor Profile
GENKOSHA PUBLISHING CO.,LTD.
| Address | 4-1-5 IIDABASHI CHIYODA-KU Tokyo, JAPAN ZIP:102-8716 |
|---|---|
| Representative Name | hiroshi kitahara |
| Annual Revenue | closed |
| No. of Employees | closed |
| Web Site URL |
Other items from this category
SD item code:8393728
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
10 Photographers Fully Reveal How to Read the Light
 Original text before translation
10名のフォトグラファーが光の読み方を完全公開
(925)
JAN:978-4-7683-0925-4
|
(925)
JAN:978-4-7683-0925-4
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| Dimensions |
|---|
|
B5 size, 128 pages
|
| Specifications |
|---|
|
Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2017
|
Description
| Following on from [Superb Recipes for Portrait* Lighting], the second volume of the [Superb Recipes] series is dedicated to natural light! We asked 10 photographers to verbalize as much as possible their techniques for shooting natural light portraits, which are often difficult to quantify and often taken unconsciously. The book covers both outdoor and indoor portraits, and includes the month*time*weather*exif data for each portrait. The book is full of useful know-how* ideas to help you develop an eye for reading natural light and to increase the variety of your photography. *Basic Techniques [outdoors*indoors] Yuji Fukushima Responding to the ever-changing light throughout the day How to cope with cloudy and rainy days with little luminance differenceFive reflective works to keep in mind Using indirect light and direct light Use an exposure meter to train your eye to read light and more *Applied Techniques Akiomi Kuroda: Focusing silhouettes and transmitted light on the model, etc. Mikiyuki Kobayashi: Sunlight through trees is a source of ideas, etc. Shuji Kobayashi* Using an umbrella diffuser to create shadow details, etc. HASEO* Early morning light before sunrise is the best flat light, etc. Toshikazu Matsubara(Iska)*Creating a Ghibli-like effect in a lightly overcast Okinawan landscape, etc. Shoichi Asaoka* Silhouette photography indoors and outdoors, etc. Yuriko Omura* Prism series with variable light, etc. monocolors(Yusuke Suzuki)*Searching for shadows in the field and creating blackness in the image, etc. Hideki Kono: Morning and evening light makes portraits dramatic, etc. |
More
| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From Jul.10th to Sep.11th |
| Air Mail | From Jun.24th to Jun.26th |
| EMS | From Jun.21st to Jun.26th |
| Pantos Express | From Jun.25th to Jun.28th |
| DHL | From Jun.21st to Jun.25th |
| UPS | From Jun.21st to Jun.25th |
| FedEx | From Jun.21st to Jun.25th |
|
Some trading conditions may be applicable only in Japan.
IMPORTANT NOTICE Books are subject to the resale price maintenance system, which allows publishers to specify the selling price by law. We ask that your company also adhere to the sales price specified by us. If you fail to do so, we may terminate our business relationship with you. We appreciate your understanding.
|
Other items from this category:
We asked 10 photographers to verbalize as much as possible their techniques for shooting natural light portraits, which are often difficult to quantify and often taken unconsciously.
The book covers both outdoor and indoor portraits, and includes the month*time*weather*exif data for each portrait.
The book is full of useful know-how* ideas to help you develop an eye for reading natural light and to increase the variety of your photography.
*Basic Techniques [outdoors*indoors] Yuji Fukushima
Responding to the ever-changing light throughout the day
How to cope with cloudy and rainy days with little luminance differenceFive reflective works to keep in mind
Using indirect light and direct light
Use an exposure meter to train your eye to read light
and more
*Applied Techniques
Akiomi Kuroda: Focusing silhouettes and transmitted light on the model, etc.
Mikiyuki Kobayashi: Sunlight through trees is a source of ideas, etc.
Shuji Kobayashi* Using an umbrella diffuser to create shadow details, etc.
HASEO* Early morning light before sunrise is the best flat light, etc.
Toshikazu Matsubara(Iska)*Creating a Ghibli-like effect in a lightly overcast Okinawan landscape, etc.
Shoichi Asaoka* Silhouette photography indoors and outdoors, etc.
Yuriko Omura* Prism series with variable light, etc.
monocolors(Yusuke Suzuki)*Searching for shadows in the field and creating blackness in the image, etc.
Hideki Kono: Morning and evening light makes portraits dramatic, etc.
10人のフォトグラファーに、数値化が難しく無意識のうちに撮っていることが多い、自然光ポートレートの撮影テクニックを可能な限り言語化していただきました。
屋外・屋内の両方に対応、作品の撮影月・撮影時間・天候・撮影exifデータも掲載。
自然光を読む目を養い、撮影のバリエーションを増やすために役立つノウハウ・アイデアが満載です。
1日の中で刻々と変化する光に対応する
輝度差が乏しい曇りと雨の日の対処法覚えておきたい5つのレフワーク
間接光と直射光を使い分ける
露出計を使って光を読む目を鍛えよう
ほか
黒田明臣・・・シルエットや透過光をモデルに当てる ほか
小林幹幸・・・木漏れ日はアイデアの源 ほか
小林修士・・・アンブレラディフューザーで影のディテールを出す ほか
HASEO・・・早朝・日の出前の光は極上のフラットライト ほか
松原俊和（Iska）・・・薄曇りの沖縄の風景をジブリ風に仕上げる ほか
浅岡省一・・・屋内でも屋外でもシルエット写真 ほか
大村祐里子・・・変幻自在の光が楽しめるプリズム作品シリーズ ほか
monocolors（鈴木悠介）・・・現場では影を探して画面の中に黒みを作る ほか
河野英喜・・・朝夕の光がポートレートをドラマチックにする ほか