Vendor Profile
Osaka University Press
| Address | Osaka University West Front Ymadaoka2-7 Suita-shi Osaka, JAPAN ZIP:565-0871 |
|---|---|
| Representative Name | MITSUNARI KENJI |
| Annual Revenue | closed |
| No. of Employees | 7 |
| Web Site URL | |
| SNS |
SD item code:11043192
| Detail | Price & Quantity | ||
|---|---|---|---|
| S1 |
Atsuko Tanaka and the Gutai Art Association - A Reading from the Relationship with Akira Kanayama and Jiro Yoshihara
 Original text before translation
田中敦子と具体美術協会—金山明および吉原治良との関係から読み解く
(978-4-87259-770-7)
|
(978-4-87259-770-7)
Wholesale Price: Members Only
1 pc /set
In Stock
|
|
| Dimensions |
|---|
|
A5 size, 400 pages
|
| Specifications |
|---|
|
Country of manufacture: Japan
Material / component: Paper
Package: Individual Packaging
Year of manufacture: 2023
Product tag: None
|
Description
| Mizuho Kato 400 pages, full color How did electric clothes become flat? --The first monograph for reconsidering the Gutai Art Association The Gutai Art Association (abbreviated as Gutai, 1954-1972), based in Osaka and the Hanshin area, was an avant-garde art group that occupied an important position in the history of art after World War II, not only in Japan but also from a global perspective. This book is the first study of Atsuko Tanaka (1932-2005), one of its main members. It examines the originality of Tanaka's works and clarifies how the characteristics of her work were formed in the context of her relationship with Gutai leader Jiro Yoshihara and Akira Kanayama, a member of the group. This careful review of Tanaka's and Kanayama's works, which have not been adequately discussed, will bring a new perspective to the study of Gutai. In order to examine their works from a broader perspective, we will also look at the avant-garde art trends of the time and attempt to understand the "Gutai Art Manifesto" from the perspective of the reception of informel as advocated by Michel Tapie. By clarifying the process of Yoshihara's thinking on the concept of "material" and "concrete," and tracing its origins, we have presented a framework for future research. At the end of the book is a rare interview with Atsuko Tanaka, who talks about her own work. |
More
| Shipping Method | Estimated Arrival |
|---|---|
| Sea Mail | From Jul.10th to Sep.11th |
| Air Mail | From Jun.24th to Jun.26th |
| EMS | From Jun.21st to Jun.26th |
| Pantos Express | From Jun.25th to Jun.28th |
| DHL | From Jun.21st to Jun.25th |
| UPS | From Jun.21st to Jun.25th |
| FedEx | From Jun.21st to Jun.25th |
|
Some trading conditions may be applicable only in Japan. |
People Also Searched:
Book
400 pages, full color
How did electric clothes become flat? --The first monograph for reconsidering the Gutai Art Association
The Gutai Art Association (abbreviated as Gutai, 1954-1972), based in Osaka and the Hanshin area, was an avant-garde art group that occupied an important position in the history of art after World War II, not only in Japan but also from a global perspective.
This book is the first study of Atsuko Tanaka (1932-2005), one of its main members. It examines the originality of Tanaka's works and clarifies how the characteristics of her work were formed in the context of her relationship with Gutai leader Jiro Yoshihara and Akira Kanayama, a member of the group. This careful review of Tanaka's and Kanayama's works, which have not been adequately discussed, will bring a new perspective to the study of Gutai.
In order to examine their works from a broader perspective, we will also look at the avant-garde art trends of the time and attempt to understand the "Gutai Art Manifesto" from the perspective of the reception of informel as advocated by Michel Tapie. By clarifying the process of Yoshihara's thinking on the concept of "material" and "concrete," and tracing its origins, we have presented a framework for future research.
At the end of the book is a rare interview with Atsuko Tanaka, who talks about her own work.
400頁フルカラー