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KYURYUDO ART PUBLISHING CO.,LTD
| Address | 3-23 kioichyo Chiyoda-ku Tokyo, JAPAN ZIP:102-0094 |
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Art & Design Book
SD item code:10098345
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| S1 |
Monet and Matisse: Another Paradise
 Original text before translation
モネとマティス もうひとつの楽園
(ISBN 978-4-7630-2005-5)
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(ISBN 978-4-7630-2005-5)
Wholesale Price: Members Only
1 pc /set
In Stock
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| Dimensions |
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B5 size, 224 pages (95 illustrations)
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Country of manufacture: Japan
Material / component: Paper
Year of manufacture: 2020
Product tag: None
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Description
| During the 19th and 20th centuries, amidst the chaotic social conditions of rapid modernization and repeated wars, a longing for "somewhere other than here" was expressed in literature and art. Claude Monet (1840-1926) and Henri Matisse (1869-1954) are two artists who share a deep affinity in that they created an artificial "paradise" in the real world by composing gardens and interior spaces as they saw fit. At the end of the 19th century, Monet left modernizing Paris and made Giverny his final home. In the garden of his mansion, Monet cultivated plants, created a pond, and created his ideal garden, and while living there he created a series of paintings with water lilies as the subject. Matisse, who settled in the south of France, also decorated his rooms as if they were a theater stage by freely combining textiles and furnishings. These motifs, along with the light of the south of France, decorated Matisse's studio and works. Monet's garden and Matisse's interior. Their "paradise" was not only an indispensable subject matter, but also a place of production and an environment in which to live. This book examines how these two artists created their "paradises" and sublimated them into their works of art through color illustrations and text. This is the official catalogue and book of the Pola Museum of Art [Monet and Matisse: Another Paradise]. *Bilingual (English and Japanese) Planning/Paula Museum of Art |
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Claude Monet (1840-1926) and Henri Matisse (1869-1954) are two artists who share a deep affinity in that they created an artificial "paradise" in the real world by composing gardens and interior spaces as they saw fit.
At the end of the 19th century, Monet left modernizing Paris and made Giverny his final home. In the garden of his mansion, Monet cultivated plants, created a pond, and created his ideal garden, and while living there he created a series of paintings with water lilies as the subject.
Matisse, who settled in the south of France, also decorated his rooms as if they were a theater stage by freely combining textiles and furnishings. These motifs, along with the light of the south of France, decorated Matisse's studio and works.
Monet's garden and Matisse's interior. Their "paradise" was not only an indispensable subject matter, but also a place of production and an environment in which to live.
This book examines how these two artists created their "paradises" and sublimated them into their works of art through color illustrations and text.
This is the official catalogue and book of the Pola Museum of Art [Monet and Matisse: Another Paradise].
*Bilingual (English and Japanese)
Planning/Paula Museum of Art
19世紀から20世紀にかけて、急速な近代化や度重なる戦争などの混乱した社会状況のなか、「ここではないどこか」への憧れが、文学や美術のなかに表れた。
なかでもクロード・モネ（1840-1926）とアンリ・マティス（1869-1954）は、庭や室内の空間を自らの思うままに構成し、現実世界のなかにいわば人工的な「楽園」を創り出した点において、深く通じ合う芸術家であると言える。
モネは19世紀末、近代化するパリを離れ、ジヴェルニーに終の住処を構えた。邸宅の庭で植物を育て、池を造成し、理想の庭を造りあげたモネは、そこに日々暮らしながら、睡蓮を主題とした連作を制作した。
南仏に居を構えたマティスもまた、テキスタイルや調度品を自在に組み合わせ、室内を演劇の舞台さながらに飾り立てて描いた。こうしたモティーフは、南仏の光とともにマティスのアトリエと作品を彩った。
モネの庭と、マティスの室内。彼らの「楽園」は、欠くことのできない主題であると同時に、制作の場であり、生きる環境でもあった。
本画集では、ふたりの芸術家がいかにして「楽園」を創り上げ、作品へと昇華させていったのかをカラー図版とテキストで検証する。
ポーラ美術館『モネとマティス もうひとつの楽園』公式図録兼書籍。
※日英併記
企画／ポーラ美術館